央视财经频道于2016年3月22日起播出六集大型纪录片《金融危机秘史》，带您走进2008年那一场惊心动魄的美国金融危机的飓风中心，揭秘美国政府的金融风险管理系统与政府的监管体系为何失灵？揭开上一次国际金融危机的肇因迷雾。 　　《金融危机秘史》全景式回溯了2008年美国金融危机的整个历程，以前所未有的客观视角，运用大量当事人采访、照片、视频与法律文件，为我们拨开历史迷雾，洞察金融危机背后的秘密与博弈细节。

Free markets are not to be blamed for the Great Recession. On the contrary, its origins rest upon the deep government and central bank intervention in the economy. Through fraudulent mechanisms, this causes recurrent boom and bust cycles: bad policies create phases of irrational exuberance, which are then followed by economic recessions, a result that every citizen ends up suffering from.

For three weeks in September 2008, one person was charged with preventing the collapse of the global economy. No one understood the financial markets better than Hank Paulson, the former CEO of Goldman Sachs. In Hank: Five Years from the Brink, Paulson tells the complete story of how he persuaded banks, Congress and presidential candidates to sign off on nearly $1 trillion in bailouts - even as he found the behavior that led to the crisis, and the bailouts themselves, morally reprehensible. Directed by Academy Award nominee Joe Berlinger (Paradise Lost Trilogy, Some Kind of Monster), the film features Paulson, and his wife of 40 years, Wendy. it's a riveting portrait of leadership under unimaginable pressure - and a marriage under unfathomable circumstances.

亚纳继承了父亲的保险经纪公司，有一个关心他的妻子，却还是过得不快乐。在一次生日会上，妻子埃斯特勒找出了他以前的照片，勾起了他年轻时的回忆。

我们去不了未来。我们顶多只能，假装去未来。 　　这是梁欢在《我们去未来》里的开场白。这场融合了不张嘴的脱口秀、不打碟的电子音乐的怪异演出，呈现了梁欢对人生的思考、对电子音乐的改造，以及一如既往的恶毒搞笑。 　　使用尽可能大功率的音箱或耳机，使用尽可能大尺寸的屏幕播放设备，我们一起去未来。

虽然新冠肺炎让全世界的弱势群体雪上加霜，但社会各阶层的无名英雄们携手力挽狂澜，为更加光明的未来而奋斗。

机器人“MIRU”是人类在遥远的未来创造的。它没有手持武器，可进行时空跳跃，造访各个时代。虽然时空平行，但 MIRU 在每个时代都会遇到挣扎求生的人们，陪伴他们度过难关和苦难，鼓励他们向新生活迈进。通过与 MIRU 的相遇，人类开始走向希望。为什么要创造这个机器人，它能拯救这个敌托邦地球的未来吗？MIRU 本身并不完美，它会在与人类的接触中遇烦恼，并从中学习。人类获得了新朋友 MIRU ，向着光明的未来迈出了一步，虽然只是一小步，但这一步就像蝴蝶效应一样，产生了巨大的变化，成为重生的一步。未来掌握在我们自己手中。

一对恋人，在美丽的日子结束不美丽的人生。

By recreating personal stories though testimony, poetry and archival material, the artist and performers explore deep traumas that no single place or language can contain. Abkhazia, the disputed state on the Black Sea – once an opulent Soviet holiday resort with a multi-ethnic population – became a symbolic ghost town following the 1992-93 war with Georgia. Here, fragmented memories and dreams destroyed by violence and exile are exhumed through interpretive re-enactment and haunting sound.